Structureless chaos that is yet coherent and comprehensive.
Hox Vox is an artist whose roots are in DaDa-ism, yet consistently pumps out the antithesis of DaDa: The Concept Album. He is a strange one to pin down and describe, not least because his music is absolutely and completely, irrevocably, inaccessible. Yet he doesn't care. With an intellect rarely found he composes vast works of epic proportions that are meticulously sculpted to instil the most severe sense of unease in the listener. And yet, it is thoroughly enjoyable.
In this latest instalment of the bizarre series of works that is Hox's discography, we journey through several intriguing portraits of Norse Gods, and eventually find ourselves on the battlefields of Ragnarök. Having been dealt an onslaught of arpeggiated midi notes, barrages of drum fills, ever shifting keys, innumerable time changes and mind-boggling blitzkriegs of unintelligible sounds, we arrive at the end and say “What the fuck just happened?”
A work with such power is a diamond in the rough.
Mjöllnir comes with a .pdf booklet, a gorgeous treasure with breathtaking artwork and liner notes with information about each track. For a concept album without lyrics this is a convenient way of portraying the portraits and storyline. Had I have been listening without reading this booklet I would be lost amidst the swirling notes and complete lack of consistency in tonal and modal qualities. As I said, it is inaccessible. Yet it is the combination of the booklet and the music that creates coherence, and makes for a compelling, engaging experience. This is not surprising from an artist who is also an extremely competent video producer. His whole schtick is multi-media in the true sense of the word “multi”. His art aims to immerse as many of the listener's senses as possible in imagery to convey his message.
But what is his message? Well here we get back to his DaDa roots. DaDa was the art that defied art, and I have always felt whilst listening to Hox Vox's music that it is a product of entropy - a breaking down of preconceptions of what art should be, whilst at the same time raising the stakes of what is expected of a listener and their engagement with the work. I say entropy because in the end we have two polar opposites – breaking down perceptions and building up imagery – that meet comfortably in the middle, at a point of stasis. Whilst the sounds coming from this album are like a tornado, the eye at its centre is the solid, unwavering conclusion of “lofty ideal meets pragmatic delivery”.
In case you can't tell, this music gives me a lot to think about. I have often thought as I listen to Hox Vox's albums that they are dissecting me more than I am them. If you want to know what the fuck I'm talking about, download this album, completely free, from Jamendo. It can also be legally bit-torrented, which is a fantastic way of getting the music out there (yes people are seeding it, I got it in 30 minutes).